Extremes on a spectrum of artists’ statements

Which of the following statements is more specific, more elucidating?

John Kilar: “These images represent the juxtaposition of the timeless and majestic elegance of nature’s sensory-surpassing miracles with the entangled and growing tensions of our time in culturally reconnecting with the shift away from the human condition of love.

In developing my visual perspective, I’ve discerned the fleeting significance from the invariable through emphasizing the growing collective disdain for the socially underdeveloped that has come to define our generation and crystallized over the last decade.

Through highlighting this generational discontent in honing its cultural responsibility of deconstructing traditional understanding of social roles against the unrefined purity of the emotionally captivating cycles of nature, my work serves as a middle ground to visually level and gauge the social progress of man by means of extremities occurring in class stratification.

In giving careful attention to the mediating filters that propagates socially-constructed irreverence, I aim to address the necessity of breaking down the symbolic paradigms of understanding to revisit the overlooked empathy for humanity and its greater accountability to each other.

Mark Bradford: “I want to engage a social, political conversation about the contemporary world that I live in or my relationship to it, and at the same time I want to abstract it.”

(Perhaps this will come in handy for you at some point in the not-too-distant future: http://www.pixmaven.com/phrase_generator.html)

(Or this: http://www.artybollocks.com/)

Actually, here is a very cogent statement by Connie Imboden, not unrelated to a “Commentary” for a College Board portfolio:

“These images are seen through the camera, they are not manipulated in the darkroom or computer. I am often amazed at the shapes and forms that have appeared in my work. My intention has always been to explore the body, not to alter it. I want to find the camera angle from which the forms can be the most that they can be – whatever that is. If it is a grace to the limbs, then I want the angle from which that grace becomes the absolute most it can be at that moment. And so it leads me on, to explore angles, space, reflections, and light. I strive to make forms make sense visually and trust that the metaphor, the poetry, will follow.”