“Ralph Gibson uses Andreas Feininger’s tray, Abe Frajndlich uses Minor White’s, and John Coplans’ tray is used by Amanda Means. The tradition of darkroom printing carries on, regardless of the arguments surrounding it and its supposed demise.”
I inherited an armload of items from Mrs. D.’s uncle, and I have a precious one-of-a-kind film drying…device… from Eileen Weber. On occasion, when donations to the Huge School darkroom arrive, we see fit to bequeath sundry pieces to diehard devotos who’ll give ’em a good home.
Richard Learoyd used a 19th century lens loaned to him from a portrait camera in Thomas Joshua Cooper’s office at the Glasgow School of Art.
http://blakeandrews.blogspot.com/#!/2012/11/camera-as-artifact.html
Garry Winogrand’s Leica. http://www.cameraquest.com/LeicaM4G.htm
Somebody has Joel Peter Witkin’s enlarger. http://www.photoeye.com/auctions/citation.cfm?id=1
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Creative Camerawork 
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