W. o’ W.: Jean Renoir

“To the question ‘Is cinema an art?’ my answer is, ‘What does it matter?’ You can make films or you can cultivate a garden. Both have as much claim to be called art as a poem by Verlaine or a painting by Delacroix. If your film or your garden is a good one it means that as a practitioner of cinema or gardening you are entitled to consider yourself an artist. The pastry-cook who makes a good cake is an artist. The ploughman with an old-fashioned plough creates a work of art when he ploughs a furrow. Art is not a calling in itself but the way in which one exercises a calling, and also the way in which one performs any human activity. I will give you my definition of art: art is ‘making’. The art of poetry is the art of making poetry. The art of love is the art of making love.”

Catalog Preview

The second annual Actual Works catalog (or do you spell “catalogue?”) is… in the works. Here’s the preview: 

Annabel Perry, Caitie Dawson, Erin Dalton, Christina Buerosse, Hailey Anderson, Kristen Kuhn, Maggie Kramer, Molly Hendrickson, Mike Cygan.

College Board Countdown

Here is the text of last week’s handout. I hope the impromptu “skip day” doesn’t prove to be a spanner in the works for the absentees.

Friday, 4/29: Open lab. Give me work to shoot, finish preparing portfolio cases, decide which 5 pieces to ship. Milwaukee field trip head count.

Monday, 5/2: Desperation Darkroom. Bring a storage/transfer device, load pieces onto your account, and give me work to shoot.

Tuesday, 5/3: Bring a storage/transfer device, give me work to shoot for the last time, write a final draft of your Commentary, load and sequence work on your account.

Wednesday, 5/4: Bring a storage/transfer device, load and sequence work on your account, make a final edit of your Commentary, remove your work from the exhibit, label the 5 pieces to ship.

Thursday, 5/5: Load your Commentary onto your account, and load and sequence work on your account.

Friday, 5/6: You are field-tripped out beginning 5th hour. Appear at the library computer classroom no later than 12:00; we are scheduled to remain there until 4:00 (or until everyone has completed the online portfolio requirements and packed their work).

The Seniors’ AP Exhibit

What? No establishing shot?

Pix o’ some adults will have to suffice.

Art sends hearts and lids aflutter.

Best Weblog Disclaimer Ever

“Please note: The work on this blog is not the original work. It is being shown out of context and denuded of content.

To see the work as it should be seen, buy the book, magazine, visit a gallery, go to the appropriate website or watch the film.

Do not mistake your computer experience for anything other than the little that it is.”

Thank you, Colin Pantall.

http://colinpantall.blogspot.com/

W. o’ W.: William Gedney

Requiescat in Pacem

http://lens.blogs.nytimes.com/2011/04/20/parting-glance-chris-hondros/

http://lens.blogs.nytimes.com/2011/04/20/parting-glance-tim-hetherington/

http://vimeo.com/18497543

SAIC Sale

We attended the School of the Art Institute’s student art sale last weekend. B alumnae Emily Platt and Lindsay Lewis were among the participants in an enormous affair (see diagram). One of us bought the store under the Future Gifts Exemption Act; the other meandered & mused.

A word to the wise: this event has cool stuff for you to acquire. Find a way to mark your calendar for next time.

Multigrade Art 300: The Final Product

The following is gleaned from an e-newsletter (is that a word?) from Tim Rudman. Look him up (timrudman.com) and subscribe, if this kind of information interests you:

There have been a few emulsion adjustments since the pre-launch product, and more information about the product has been made available. The first impression was that the emulsion was a variant of MGWT but in fact it is a “sibling” of MGIV, and is neutral- rather than warm-toned. The base is described as neutral to cool tone, but in fact is very subtly warm if compared to the back, or to MGWT, or a truly white base like Fomatone MG Classic used to be. This gives the emulsion a slightly warm, rather than neutral, look in the higher tones. No pigment is added to the base, which is whiter before coating, but the modified process required to coat this art base seems to add this very slight warmth to it. Side-by-side testing with MGWT shows an almost identical speed, so analyser settings for MGWT will work pretty well. The final product also has very slightly brighter highlights and “better” tonal separation in the upper tones too.

The other pleasant surprise was that it gave rich browns in selenium, which the test sample did not. Fairly strong selenium at 1+5 gave rich chocolate brown, and a clear brown-grey split was easily achieved if desired. Strength for strength the Harman selenium gave richer colour than Kodak selenium.

Innovations in Pinhole Camera Design

Chris Keeney http://chriskeeney.com/spamera

Dianne Bos:

This Sunday (both Easters) is Worldwide Pinhole Photography Day!

Update: The Pinhole Tree! Look: http://www.pinhole.org/gallery/artist.cfm?name=Asier_Gogortza

…AND build your own Hasselblad! http://vimeo.com/21702610