Are you “a professional?”

“If you’re a professional, you contribute to the profession,” he replies. “There is an underlying attitude for support, a pouring back of interest and thought. Musicians teach master classes. Doctors do research, write papers, give time to charity. The artist is a professional.

“If the art gives the artist life, then the artist in turn should give the art life. There has been a lack of understanding of this concept in photography. But you just can’t live an independent, selfish existence. You lose on it.”

-Ansel Easton Adams

W. o’ W.: Jaoquin Torres-Garcia

 

“Man believes that he evolves advancing toward intelligence.

I believe the opposite.

Man finds his place by moving toward consciousness.”

A Trove of Nuggets

http://jmcolberg.com/weblog/2010/03/so_whats_your_secret/ is a collection of quotes from interviews with photographers. It’s good stuff, and you’ll find some that resonate for you. Which one/s is/are they?

A Negative Aspect (Joel Meyerowitz)

Mr. Meyerowitz: “With digital, it is a negative aspect that you can immediately see what you have got. I observed it in other photographers, and it is a temptation for me, to look straight at the image just taken. When you only have film in the camera, and you start to shoot something, a small event is transpiring in front of you. Well, you move closer and keep pushing and keep moving all the time, only focusing on the event. But with digital, I have noticed so consistently that photographers take a picture and then look at the back to see what came out, while the event is still going on. The event might be getting better, but they are looking at the camera. I have been training myself not to look at the back of the camera, but to stay with the event. It is like a sin to be looking at the camera when the next moment actually was the best picture, but you missed it because you were looking at the last moment!”

W. o’ W.: Chuck Close

“The thing that interests me about photography, and why it’s different from all other media, is that it’s the only medium in which there is even the possibility of an accidental masterpiece. You cannot make an accidental masterpiece if you’re a painter or a sculptor. It’s just not going to happen. Something will be wrong.

“This is simultaneously photography’s great advantage and its Achilles heel: it is the easiest medium in which to be competent. Anybody can be a marginally capable photographer, but it takes a lot to learn to become even a competent painter. Now, having said that, I think while photography is the easiest medium in which to be competent, it is probably the hardest one in which to develop an idiosyncratic personal vision. It’s the hardest medium in which to separate yourself from all those other people who are doing reasonably good stuff and to find a personal voice, your own vision, and to make something that is truly, memorably yours and not someone else’s. A recognized signature style of photography is an incredibly difficult thing to achieve.

“It always amazes me that just when I think that there’s nothing left to do in photography and that all permutations and possibilities have been exhausted, someone comes along and puts the medium to a new use, and makes it his or her own, yanks it out of this kind of amateur status, and makes it as profound and moving and as formally interesting as any other medium. It’s like pushing something heavy uphill. Photography’s not an easy medium. It is, finally, perhaps the hardest of them all.”

W. o’ W.: Arno Minkkinen

“Harry Callahan, my teacher at RISD, always used to tell us that once you make the first good ones, you rarely make them any better. Another way to examine that is this: if you’re always showing people only your latest work, have you fully matured as an artist? When your latest work is as good as your earlier work, growth is no longer an issue, and expansion takes over. We have this insatiable need to improve, to be better, to be the best. Just doing things well may be a more reasonable course, especially in photography.”

W. o’ W.: Norman Mailer

“Over the years, I’ve found one rule. It is the only one I give on those occasions when I talk about writing. A simple rule. If you tell yourself you are going to be at your desk tomorrow, you are by that declaration asking your unconscious to prepare the material. You are, in effect, contracting to pick up such valuables at a given time. Count on me, you are saying to a few forces below: I will be there to write.”

W. o’ W.: Jaron Lanier

“You have to have a chance to sense personality in order for language to have its full meaning.”

Who Said This?

“I believe that the alchemy of light on film informs a kind of content that is not remotely duplicated by electronic imaging systems. These systems transfer information with great precision but a silver gelatin photograph transcends the subject and leads one into much higher levels of content. For this reason the photograph per se remains firmly positioned in the social aesthetic matrix.

“The exact same is true of the photography book. Issues such as tactility, luminosity and rhythm on the printed page are not in any way equaled by the image on the digital display.”

Anyone, anyone? Here’s a clue:

W. o’ W. from, of all places, a meditation on crosswords

“The environment reinforced an observation once passed on by a musicologist, who explained that chaotic societies tend to give rise to highly organized art. Think of Motown, or bel canto opera. This is how it works.” -Dean Olsher