Integrity in Music Videos

Ansel Adams addressed the problem of images and text combined, and how difficult it is for one not to dominate the other; Garry Winogrand referred to the similar challenge of balancing form and content in a picture. We’ve all seen so many music videos, some of which are favorites–we memorize them, as we do with works that we find striking in all media–and some that are clearly inconsequential stinkers. Recently I was talking with my friend Paul, who was in the pit orchestra for a local production of “The King And I,” about Sonny Rollins’ excellent recording of “We Kiss In A Shadow,” with Jimmy Garrison and Elvin Jones; later that night I searched for it on youtube so I could send him a link. I found a stinker. Oviously, the person who did the posting mostly wanted to get the music up, and then complemented it with a piece of nouvelle vague cinema. I watched for the first time through, then averted my eyes during subsequent hearings. http://www.youtube.com/watch?v=QFPqqt0B-nw

Several days later I was directed to this new music video: a piece by Randy Newman which is so integrated that I cannot imagine hearing it without watching, and vice versa: http://www.youtube.com/watch?v=cvLeQbwuKys

See if you agree.

A Global Armchair Field Trip

Jon Rafman is a photographer who does some of his hunting and gathering on Google Street View. Here are some of his selections therefrom, which exemplify his consummate taste.

http://9-eyes.com/

News From Mr. “Phil” Anthropy

http://www.hayibo.com/hipsters-stunned-as-vintage-cameras-fail-to-make-them-professional-photographers/

Photoworks Ltd.

Does anybody remember this place, or know anyone who does? The brochure is probably from the late ’70s.

I always worked at The Darkroom (more on that anon), and I never saw this place. I suspect the building has been superceded as well.

Lemme know.

Esse In Memoriam

Am I the only one who sees a beloved’s tombstone in the lead picture on the BHS website?

Happy Independence Day!

Pops thought/assumed that his birthday was on this day in 1900 (it made good copy); it turns out that he was thirteen months younger.

http://www.youtube.com/watch?v=r94-7nJt-WM

…annnnnd Mr. Ives:

http://www.youtube.com/watch?v=dkM6GQBUrqk&feature=youtu.be

Packrats and Hoarders and Squirrels. Oh, My.

Photographers are (notoriously) packrats, and art teachers are squirrels (so I’ve been told, by older art teachers); another resident at the homestead  has declared that, if I go first, the basement and all its contents will be bulldozed under. We’re not nostalgic by any measure, but these documents either made the cut or were buried so deeply that they have survived until now. Enjoy.

These first two are from Fred Picker’s Zone VI catalog. Fred was a Vermonster who attempted continually to rethink and refine AA’s ideas. Calumet bought his business eventually.

Mr. Picker’s opinions (mostly regarding technique, thankfully) tended to compete with the merchandise he offered for sale.

These are excerpts from Bostick & Sullivan’s 10th anniversary catalog (which was printed twenty years ago).

Never mind continuity; one can appreciate these for tone of voice alone.

It’s their catalog and they can include whatever they like.

Q. o’ th’ Q. o’ th’ D.: Sylvia Plachy

From Aperture 206, Spring 2012: “As I leave the zoo, I read a sign on the fence: ‘Treat each bear as the last bear.’ There is no source, no explanation. I am left with another riddle.”

John Cleese Pontificates (appropriately).

Listen and learn.

http://www.youtube.com/watch?v=zGt3-fxOvug

He may not realize it, but he’s describing… the darkroom!

I *Saw* Hendrix, Man.

It’s true. July or August of 1968, Auditorium Theatre. The clincher for me was that The Soft Machine opened: http://www.youtube.com/watch?v=Mwo3ht8sxJo&feature=related (I already had their LP). All this came flooding back (and yes, I do remember the ’60s) when I came across this record of a vibrant performance.

http://www.openculture.com/2010/07/hendrix_plays_sgt_peppers_lonely_hearts_club_band.html