Black Box

This is a promotional post. I (we) know one of the people behind this new online publication, even though the thing appears to be anonymous, and we (I) wish it well, Suzanne. Here is text from a couple of its pages (and my proofreading compulsion kicked in a bit).

“If we consider a black box that can not be opened or examined inside, we can only make a guess as to how it works, and what happens when something interacts with it and what happens in result of that. If we put a ball in one side and a ball fell out the other side, it’s possible that the box is full of balls. Or there could be a broken Dyson vacuum inside. Or the gravitational pull outside the box is greater than inside the box. In the end, all we can do is hypothesize.”

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“Black Box is a bi-annual literary zine focusing on nonfiction, poetry, and illustration. Our concentration is on experimental and short form writing in an attempt to explore the power of a single word and its relation to the whole. We’re drawn to pieces that focus on the economy of words used to convey the greater ecosystem they take part in. Illustrations should mirror this concept in visual language, consisting of simple images and minimalist use of color.

“Each issue is printed entirely in black and white, focused on the theme of a singular color. The color is meant to serve as a backdrop, a diving board or a negative space. It does not dictate. It is the black box, and in the end, all we can do is hypothesize.

“Black Box is currently accepting submissions for our Spring 2015 issue. The issue’s theme is Blue and we are looking for short form, experimental creative nonfiction and poetry as well as black & white illustrations. We will be accepting pieces until 2/01/15. To submit email your work (no longer than one page per piece) to blackboxlit@gmail.com.”

This sounds as though photography is not (yet) welcome, but that it could fit into their guidelines with ease. Perhaps an editor’s personal taste does not happen to include photos at this time; send some in anyway and see what happens.

P.S. I get a kick out of how long the “economy of words” sentence is.

NVAM, CCC, WRHAHSAS

Visit the National Veterans’ Art Museum at 4041 North Milwaukee Avenue to see 100 Faces of War Experience: Portraits and Words of Americans Who Served in Iraq and Afghanistan, a solo exhibition of paintings by Matt Mitchell. P1060364

From the catalog: “Unlike photographs, portraits are artists’ interpretation and presentation of their subjects” (emphasis mine). P1060366

“The artist met with each person to start their painting…  Each meeting lasted between two and eight hours. Mitchell then continued working for 40 to 80 hours to complete each portrait.”

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http://www.nvam.org

The gallery truly becomes a place for contemplation. Also on permanent display: “The Things They Carried.” From the website: “With artworks and objects created and collected by over twenty Vietnam veteran artists, The Things They Carried also provides visual interpretations to viewers, illustrating the war by those who were there.” This installation includes actual photographs.

At the Chicago Cultural Center, allow yourself to be engulfed by “Drury Brennan: Die Welt (The World).”P1060369

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From the card: “With the heart of a beatmaker, eyes of a ‘Street Artist’ and mouth of a poet, Brennan seeks to unite these disparate traditions & concepts, making new systems of poetics to bring us together.” P1060373

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TONIGHT! the big reception and awards ceremony for the Harper Area HS Art Show! This year’s drawing/painting/photo display cases are a little thin on bombast and contrast, and imagination beyond the terms of each assigned project. Still, as Lee Friedlander said, “The pleasures of good photographs are the pleasures of good photographs, whatever the particulars of their makeup” (or the care invested in the making of their negative[s] and their prints). Regarding that, Kendall Free’s picture may be the best print in the entire show, and Buffalo Grove’s photography the best overall. Between the quality of the lighting and the size of the crowd, one may need a little luck in order to view all of the work.

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The biggest thrills, however, are reserved for the other (almost secret) display area for the 3-D mediums. No amount of signage can be too much for directing tonight’s audience to this work.

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The biggest expense for the participating schools is tonight’s refreshments. Go early; say, seven-ish.

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Drop everything. Hie thee to Hevanston.

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Richard Cahan and Michael Williams assembled the new book Eye To Eye (they previously produced Vivian Maier: Out of the Shadows) with photographs from the Jeffrey Goldstein Collection.

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Perhaps you were there when Mr. Cahan spoke at BHS about the work of Richard Nickel a while back. He’s appearing tonight at Bookends and Beginnings, at the address of the old Bookman’s Alley, 1712 Sherman. Call before you go: 224.999.7722. There’s no better use of your time tonight.

 

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The photographic North Star is the Milwaukee Art Museum. Get up there posthaste to see the important, wide-ranging, engaging show “Postcards From America.” The photographers, all members of Magnum, include Bruce Gilden, Jim Goldberg, Susan Meiselas, Martin Parr, Paolo Pellegrin, Mark Power, Alessandra Sanguinetti, Jacob Aue Sobol, Alec Soth, Zoe Strauss, and Donovan Wylie.

http://postcardsfromamerica.tumblr.com/

http://www.mam.org/exhibitions/details/postcards-from-america.php

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The exhibit closes October 19.

The Next Gen

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Cameron Cavida, Kris Coll, Delainy Grube, Allison Howard, Scott McKellin, Jack O’Connor, and Teegan Shultz have been selected to join Emma Felice, Kendall Free, Lindsey Lambert, Marissa Miller, and Alicia Parrish in next year’s 2-D Design Studio! Congratulations!

A Successful Reception

This past Friday evening was a success on a number of levels, among them well-seen/well-rendered pictures and a great turnout.

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Vicky Molitor (BHS, ’92; Art Department Chair at Lincoln HS, Manitowoc WI) delivered a succinct tribute, during yours truly kept whispering to Marissa “Don’t make me cry, don’t make me cry.”

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Here are some of the images on display from the series “Lump & Mention.”

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See also https://www.facebook.com/#!/bhsphoto

Please come to BHS to look at 26 actual, physical prints. They’re on exhibit until the 14th.

See also: https://www.facebook.com/?ref=tn_tnmn#!/bhsphoto

Sincere thanks to Julia Beatty, Jeff Arnett, Grant Sahr and Laurie Mack. Annnnnnnnd, Vicky.

Sally Mann at DePaul

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https://www.facebook.com/#!/ColumbiaCollegePHOTO/posts/10151913521358027

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Who’s Hungry?

BHS alum Stephen Hamilton (his is the first picture in “The History of Photography–at BHS”) speaks at the Apple Store on Michigan Avenue this Monday evening. Admission is free. Get on the train and be there. Say hello, too; he’d like to know whence you come. Trust us, it’ll be worth it to attend in ways you won’t know for a while.

http://www.apamidwest.org/2013/10/10/oct-21-apple-store-stephen-hamilton/

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Before you go, look at his site: http://www.stephenhamilton.com/

…and his blog: http://whoshungryblog.com/index.php

and his online magazine: http://www.whoshungrymag.com/

Viv Premiered This Morning

http://www.viff.org/festival/films/f9236-finding-vivian-maier

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4-1/2×6′ negatives. Biggest?

http://butterfliesandbuffalo.com/theproject/camera/

Dennis-Manarchy-Pictures

http://vimeo.com/74846199

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