Good Night, Elsa.

A “perverse combination of dime store photography and Renaissance portraiture.”

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http://www.nytimes.com/2016/01/06/arts/design/with-film-supply-dwindling-a-photographer-known-for-huge-portraits-stares-at-retirement.html?hp&action=click&pgtype=Homepage&clickSource=wide-thumb&module=mini-moth&region=top-stories-below&WT.nav=top-stories-below&_r=0

Be sure to follow all of the links as well.

http://radioboston.wbur.org/2015/12/30/elsa-dorfman

Photographer Elsa Dorfman with her 20x24 Polaroid camera in her studio. (Jesse Costa/WBUR)

Photographer Elsa Dorfman with her 20×24 Polaroid camera in her studio. (Jesse Costa/WBUR)

The Estenopeico’s Decalogue, According to Fefo

1) Un estenopeico,no compra cámaras, se las hace.

2) A un estenopeico, generalmente le regala una cámara, otro estenopeico.

3) Un estenopeico si eventualmente, tiene que comprar una cámara, será estenopeica.

4) A un estenopeico, déjalo libre, porque en el espacio de la libertad, es donde mejor esta.

5) Nunca le preguntes a un estenopeico cuantas cámaras tiene (no tiene idea de cuantas tiene…. o tendrá).

6) Un estenopeico, no se olvida una cámara en un poste, está haciendo una solarigrafia.

7) Para un estenopeico, todas las fotos estenopeicas están buenas o muy buenas o impresionantemente buenas.

8) Para un estenopeico, solo dos o tres fotos estenopeicas, son malas, pero algo de bueno seguro tienen.

9) A un estenopeico lo entiende, otro estenopeico mucho, alguna persona más, otras no lo entienden.

10) Un estenopeico, no compite, comparte.

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1) A pinhole photographer doesn’t buy cameras, he makes them.

2) A pinhole photographer usually gives a camera to another pinhole photographer.

3) If a pinhole photographer eventually has to buy camera, it will be a pinhole camera.

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4) Let a pinhole photographer go free, because freedom of space is better for this.

5) Never ask a pinhole photographer how many cameras he has. He has no idea how many he has (or will have).

6) A pinhole photographer won’t forget a camera on a pole; he’s doing a solargraph.

7) For a pinhole photographer, most pinhole photos are good. Or very good. Or really, really good.

8) For a pinhole photographer, only two or three pinhole photos are bad (they gotta have some).

9) One pinhole photographer understands another pinhole photographer very well; others just don’t understand.

10) A pinhole photographer doesn’t not compete, he shares.

From the Annals of the 20th Century’s Greatest Vocalists

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Sony owns the Columbia catalogue. Check the fourth paragraph.

http://www.sonypictures.com/corp/press_releases/2015/08_15/080515_milesahead.html

Happy Birthday, Pops!

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Bonne Fete, Mr. Friedlander!

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It’s A Be-In! Be In The Group Portrait!

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We have an affinity for group portraits, and here’s an opportunity for you to be in an historic gathering TOMORROW outside the Museum of Contemporary Art in downtown Chicago.

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Jason Lazarus says: “I want to ask impossible questions by attempting a photo like this: What does the Chicago art community look like? What kinds of communities make up this group? Who identifies as a Chicago artist? What can a group portrait tell us about artists in 2015? What might we learn from this image 10 years from now? How about 50? With these in mind, I am thrilled to invite any and all of you to stand for a group portrait, rain or shine, on the steps of the MCA at 11:30 am on Saturday, June 20!”

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You’re a photographer, right (or a painter, or a musician, or a jeweler, or a ceramicist)? Drop everything and go. For more salient details, look here: http://www2.mcachicago.org/2015/an-invitation-to-the-chicago-artists-group-portrait/

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A Plethora of W. o’ W.: Mary Ellen Mark, 1940-2015

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Scan 46 copy

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…via Kyle Cassidy.

Small samples: talk to people. Don’t editorialize.

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https://kylecassidy.livejournal.com/810008.html