You don’t have to abandon the process you enjoy

In response to this week’s alarmist articles about film’s allegedly imminent demise, Blake Andrews posted on his blawwg: “I must live in some film bubble timewarp because virtually every photographer I know in Portland still shoots film. My photogroup Lightleak has eight to twelve members depending on what month it is and who shows up, and every one of us is a film shooter.”

If you have asked about this, or paid attention to conversations and posts, you already know that most of the following is reasonable. Nonetheless, this article by Ctein…

…makes long-term planning clearer:

Advice from Wendell Berry

“How to Be a Poet” by Wendell Berry        (to remind myself)


Make a place to sit down.
Sit down. Be quiet.
You must depend upon
affection, reading, knowledge,
skill—more of each
than you have—inspiration,
work, growing older, patience,
for patience joins time
to eternity. Any readers
who like your poems,
doubt their judgment.


Breathe with unconditional breath
the unconditioned air.
Shun electric wire.
Communicate slowly. Live
a three-dimensioned life;
stay away from screens.
Stay away from anything
that obscures the place it is in.
There are no unsacred places;
there are only sacred places
and desecrated places.


Accept what comes from silence.
Make the best you can of it.
Of the little words that come
out of the silence, like prayers
prayed back to the one who prays,
make a poem that does not disturb
the silence from which it came.

Putting Things into Perspective; or, I Second That Emulsion

Associated Press has become the latest entity to ring the death knell for film, citing that manufacture is down from a one-time height of almost a billion rolls a year to only five million (about half of which, apparently, is shot by those of us at BFHS). Two comprehensive and lucid responses put this into perspective:

Consider that roving paper-cutting profile potraitists were replaced by daguerreotypists (; squadrons of hand-colorers were made redundant when color film became practical, followed closely (“closely” in this context meaning within ten or fifteen years) by the failure of some ubiquitous paper emulsions (resulting in a class-action suit brought in several Midwestern states); and that everyone is periodically cautioned to back up files, with the knowledge that many digital archives at risk of corruption in 5-10 years.

As deep background, refer to this:

Lastly, look at the banner on the Badger web page: